南京太和紫金大酒店|个性独特的旅行居所
在经历了房地产为主导的奢华酒店布局，又经历了快速发展的中端酒店市场填补，当下年轻人需要更符合他们的个性独特的旅行居所，一个新的时代来临了：精品酒店的时代。After the real estate-led luxury hotel layout, and after the rapid development of the mid-range hotel market to fill, the current young people need more in line with their individual and unique travel residence, a new era has come: the era of boutique hotels
The Tai Hotel是设计师承载了对业主两代人的情感，精心打造的南京真正意义的精品酒店，不以表面，而以人文精神呈现的作品。The Tai Hotel is a boutique hotel invested with real significance of Nanjing, which is meticulously built by the designer with the feelings of owners from two different generations. It is a work which is not superficial, but a work of humanism.
我们提取了一种色叫南京绿--梧桐树的绿，也提取了另外一种色叫南京灰--六百多年的城墙倒影在琵琶湖中的灰。空间的主色是绿色与灰的对话，是湖水与淤泥的呢哝，是梧桐叶与城墙的辉映。We extracted a color called Nanjing Green -- the green of Wutong tree, andanother color which is Nanjing Grey -- the gray of the reflection of the 600 years old city wall in the Pipa Lake.The main color of the space is the dialogue between green and gray,the murmur of lake water and mud, and the reflection of wutong leaves and the city wall.
空间与光的设计SPACE AND DIFFUSE LIGHT DESIGN 在平面上，我们设置了古典大宅的递进空间流转方式，层层递进，重重锁香，从昏暗的玄关转折到高耸大堂的光明，从光明递进到低区总台的幽暗，再从幽暗进入更深层次的静谧，进入孤独气质的角落吧corner bar。 空间从低到高、再从高到低；光线从亮到暗、再到亮、再到暗、再到更暗，再到光明。Through the plan, we set up the progressive space circulation mode of the classical mansion, step by step,turning from the dark hallway to the bright lobby, from the light to the dark of service desk,and then from the dark to the deeper quiet, into the corner bar of which has lonely temperament. Space setting from low to high, and then from high to low; Light goes from light to dark, then to light, dark, darker, and finally light.
空间艺术气质SPACE ARTISTIC TEMPERAMENT 在入口，我们通过幽暗的光线、通过鱼形的抽象雕塑表达出人们在水边见到大鱼的喜悦。在大堂，我们通过对涟漪水凝固的雕塑表现，通过在水边设置的座位，让人们可以体会到在水边静坐的安静心情。 在登记区，我们通过火炉，通过火炉发散的温度让客人感受到回到家的温暖。 在corner bar，我们设置了很多角落，让客人可以在纷繁的都市中找到一个可以安静交流的小空间。 通过对光的控制，通过人们对水火的内心自然需求，塑造出水边人家对家的温馨感受。 At the entrance, we express the joy of seeing a big fish abstract sculptureat the water's edge through the dark light . In the lobby,we express the quietness of sitting by the water through the sculpture of rippling water frozen, and through the seating set up by the water. In the check-in area, we try to make make guests feel the warmth of returning home through the fireplace and the temperature it radiated . Atthe corner bar, we have set up many corners so that guests could find a small space for quiet communication among the midst of the bustling city. Through the control of light, and people's inner natural need for water and fire,we shape the warm feeling of home .
亲切的设计 KINDLY DESIGN 常规酒店不喜欢让非住店客人长时间逗留在大堂空间，但是我们希望我们设计的酒店能够让来访的客人可以静下心来，慢慢体会酒店的艺术性，与酒店产生共鸣，带来喜悦，从而传递。所以我们在大堂设置了两个免费的休息区，一个在礼宾区，水形雕塑边，让客人感受空间的变化，光影的变化；一个在总台区，火炉边，我们用火传递温暖。希望客人在此找到温馨家的感觉。 Conventional hotels don't like to let non-resident guests stay in the lobby space for a long time, but we hope that the hotel we designed can allow visiting guests to quietly experience the artistry of the hotel slowly, resonate with the hotel, bring joy, and thus pass on. Therefore, we set up two free resting areas in the lobby, one in the concierge area, by the water-shaped sculpture, so that guests can feel the change of space, the change of light and shadow; one in the main service desk area, beside the fireplace, where we use fire to transmit warmth. We hope our guests will find a warm feeling of home here.
客房设计 GUEST ROOM DESIGN 客房用色与公区一脉相承，弧线的运用柔化空间的生硬，用优雅低饱和度的灰绿去安静客人的心。The guest rooms are colored in the same vein as the public area, and the use of curved lines softens the hardness of the space and calms the hearts of the guests with elegant and low-saturation gray-green.
低调的设计 LOW KEY DESIGN 酒店的门是藏着的，隐在边上的，最突出的是酒店的内透玻璃，犹如一幅大的画面，与路人进行视觉交流，感受到了吸引，才会去寻找入口。The door of the hotel is hidden, hidden in the side, the most prominent is the inner transparent glass , as huge image, bring visual communication with passers-by, let them feel the attraction, and look for the entrance.
中餐区设计 CHINESE DINING AREA DESIGN 中餐厅用黑灰的淤泥色和浅绿水色作为空间主色调，为我们提供了社交，私密的礼仪感。中餐公共空间，光线设置昏暗，营造私密感。包间区颜色采用水绿色将空间颜色提亮，仅用艺术品去点亮空间。 The Chinese restaurant uses silt dark grayand aqualight green aqua as the main colors of the space,providing a social, private sense of decorum. The Chinese public space, with dim light settings, creates a sense of privacy. The color of the private room area uses aqua green to brighten up the space, using only artwork to lighten the space.
自助餐厅设计 BUFFET DESIGN 餐厅用色与大厅不同，采用木的原色来体现自然，周围设置了小花园或者小花坛，让空间形成被植物包裹的感受。木，具生发之气，希望客人早晨起来坐在植物与艺术组合的餐厅空间中享受美好的早晨。 The color of restaurant is different from the hall, using original color of wood to reflect nature,and small gardens or small flower beds are setting up around it to make the space having a feeling of being wrapped by plants.Wood, with the vitality of growth, hopes that the guests will enjoy a good morningby sitting in the restaurant space with the combination of plants and art .
南京太和紫金大酒店|个性独特的旅行居所
在经历了房地产为主导的奢华酒店布局，又经历了快速发展的中端酒店市场填补，当下年轻人需要更符合他们的个性独特的旅行居所，一个新的时代来临了：精品酒店的时代。After the real estate-led luxury hotel layout, and after the rapid development of the mid-range hotel market to fill, the current young people need more in line with their individual and unique travel residence, a new era has come: the era of boutique hotels
The Tai Hotel是设计师承载了对业主两代人的情感，精心打造的南京真正意义的精品酒店，不以表面，而以人文精神呈现的作品。The Tai Hotel is a boutique hotel invested with real significance of Nanjing, which is meticulously built by the designer with the feelings of owners from two different generations. It is a work which is not superficial, but a work of humanism.
我们提取了一种色叫南京绿--梧桐树的绿，也提取了另外一种色叫南京灰--六百多年的城墙倒影在琵琶湖中的灰。空间的主色是绿色与灰的对话，是湖水与淤泥的呢哝，是梧桐叶与城墙的辉映。We extracted a color called Nanjing Green -- the green of Wutong tree, andanother color which is Nanjing Grey -- the gray of the reflection of the 600 years old city wall in the Pipa Lake.The main color of the space is the dialogue between green and gray,the murmur of lake water and mud, and the reflection of wutong leaves and the city wall.
空间与光的设计SPACE AND DIFFUSE LIGHT DESIGN 在平面上，我们设置了古典大宅的递进空间流转方式，层层递进，重重锁香，从昏暗的玄关转折到高耸大堂的光明，从光明递进到低区总台的幽暗，再从幽暗进入更深层次的静谧，进入孤独气质的角落吧corner bar。 空间从低到高、再从高到低；光线从亮到暗、再到亮、再到暗、再到更暗，再到光明。Through the plan, we set up the progressive space circulation mode of the classical mansion, step by step,turning from the dark hallway to the bright lobby, from the light to the dark of service desk,and then from the dark to the deeper quiet, into the corner bar of which has lonely temperament. Space setting from low to high, and then from high to low; Light goes from light to dark, then to light, dark, darker, and finally light.
空间艺术气质SPACE ARTISTIC TEMPERAMENT 在入口，我们通过幽暗的光线、通过鱼形的抽象雕塑表达出人们在水边见到大鱼的喜悦。在大堂，我们通过对涟漪水凝固的雕塑表现，通过在水边设置的座位，让人们可以体会到在水边静坐的安静心情。 在登记区，我们通过火炉，通过火炉发散的温度让客人感受到回到家的温暖。 在corner bar，我们设置了很多角落，让客人可以在纷繁的都市中找到一个可以安静交流的小空间。 通过对光的控制，通过人们对水火的内心自然需求，塑造出水边人家对家的温馨感受。 At the entrance, we express the joy of seeing a big fish abstract sculptureat the water's edge through the dark light . In the lobby,we express the quietness of sitting by the water through the sculpture of rippling water frozen, and through the seating set up by the water. In the check-in area, we try to make make guests feel the warmth of returning home through the fireplace and the temperature it radiated . Atthe corner bar, we have set up many corners so that guests could find a small space for quiet communication among the midst of the bustling city. Through the control of light, and people's inner natural need for water and fire,we shape the warm feeling of home .
亲切的设计 KINDLY DESIGN 常规酒店不喜欢让非住店客人长时间逗留在大堂空间，但是我们希望我们设计的酒店能够让来访的客人可以静下心来，慢慢体会酒店的艺术性，与酒店产生共鸣，带来喜悦，从而传递。所以我们在大堂设置了两个免费的休息区，一个在礼宾区，水形雕塑边，让客人感受空间的变化，光影的变化；一个在总台区，火炉边，我们用火传递温暖。希望客人在此找到温馨家的感觉。 Conventional hotels don't like to let non-resident guests stay in the lobby space for a long time, but we hope that the hotel we designed can allow visiting guests to quietly experience the artistry of the hotel slowly, resonate with the hotel, bring joy, and thus pass on. Therefore, we set up two free resting areas in the lobby, one in the concierge area, by the water-shaped sculpture, so that guests can feel the change of space, the change of light and shadow; one in the main service desk area, beside the fireplace, where we use fire to transmit warmth. We hope our guests will find a warm feeling of home here.
客房设计 GUEST ROOM DESIGN 客房用色与公区一脉相承，弧线的运用柔化空间的生硬，用优雅低饱和度的灰绿去安静客人的心。The guest rooms are colored in the same vein as the public area, and the use of curved lines softens the hardness of the space and calms the hearts of the guests with elegant and low-saturation gray-green.
低调的设计 LOW KEY DESIGN 酒店的门是藏着的，隐在边上的，最突出的是酒店的内透玻璃，犹如一幅大的画面，与路人进行视觉交流，感受到了吸引，才会去寻找入口。The door of the hotel is hidden, hidden in the side, the most prominent is the inner transparent glass , as huge image, bring visual communication with passers-by, let them feel the attraction, and look for the entrance.
中餐区设计 CHINESE DINING AREA DESIGN 中餐厅用黑灰的淤泥色和浅绿水色作为空间主色调，为我们提供了社交，私密的礼仪感。中餐公共空间，光线设置昏暗，营造私密感。包间区颜色采用水绿色将空间颜色提亮，仅用艺术品去点亮空间。 The Chinese restaurant uses silt dark grayand aqualight green aqua as the main colors of the space,providing a social, private sense of decorum. The Chinese public space, with dim light settings, creates a sense of privacy. The color of the private room area uses aqua green to brighten up the space, using only artwork to lighten the space.
自助餐厅设计 BUFFET DESIGN 餐厅用色与大厅不同，采用木的原色来体现自然，周围设置了小花园或者小花坛，让空间形成被植物包裹的感受。木，具生发之气，希望客人早晨起来坐在植物与艺术组合的餐厅空间中享受美好的早晨。 The color of restaurant is different from the hall, using original color of wood to reflect nature,and small gardens or small flower beds are setting up around it to make the space having a feeling of being wrapped by plants.Wood, with the vitality of growth, hopes that the guests will enjoy a good morningby sitting in the restaurant space with the combination of plants and art .
